Approaching Velocity is proud to introduce our first photographer of 2010, and our sixth photographer so far, Ellie Harvey, a photographer who grabbed our attention with a desire to explore and challenge both herself and other’s perceptions.
Please stay tuned over the coming weeks and months for more interviews, plus articles and some exciting new announcements from Approaching Velocity.
This is the interview you’ve been waiting for. Probably not all your life, but most of it. Get ready to meet Approaching Velocity’s fifth photographer… Louie Banks.
Mr Banks can do nothing wrong; he’s worked with Rankin, photographed for numerous covers and clothing companies, and owns one of the hottest new magazines in the UK, Gang Up. Whatever your expectations, Louie trumps them. He’s a fucking nice guy too. Bastard.
It’s been a long summer, and it’s pretty much autumn now, but Approaching Velocity is back, with a photographer described as ‘probably the best female photographer in Brighton.’ Meet Eleni Mettyear.
Approaching Velocity has known Eleni Mettyear’s photography for almost a year now, and over the last 12 months, Eleni has continued to amaze and surprise Approaching Velocity with every new set of photographs she takes.
On the cusp of a week since its last interview, Approaching Velocity is proud to present its third photographer - Asli Kolcu.
Asli Kolcu’s photography is unashamedly striking, exuding a confident vision and a maturity that has seen this photographer already achieve international success.
It’s been far too long, but Approaching Velocity is back with its second interview, featuring photographer Keri-Anne Pink
Keri-Anne’s vivid imagination and an unconventional approach of using over-exposure as an integral part of her photography create a dream-like state far removed from many of the every day scenes depicted in her work.
Approaching Velocity is extremely proud to present its first ever blog interview featuring photographer Bella Kotak.
Bella Kotak is an extremely talented artist with a great imagination and an exceptional eye for photography and post-processing - and not a dSLR in sight.
